ArtColombia

2008

Joner Rojano

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Colombian Artists

Bernardo Ríos

Joner Rojano

Eivar Moya

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BIOGRAPHY          STUDIES          PUBLICATIONS          EXHIBITIONS          GALLERY          EBOOKS



STUDIES

1989 - 1992

Human Sciences, University Of Cartagena, Cartagena, Colombia.

1989 - 1994

Fine Arts, University Of Cartagena, Cartagena, Colombia.

COURSES STUDIED

1994 - 2000

Assistant Teacher, School Of Fine Art, Valledupar, Colombia.

1996

"Artistic Appreciation", Gold Museum, Cartagena, Colombia.

"Artistic Appreciation", Bank Of The Republic, Cartagena, Colombia.

1995

"Space As An Aesthetic Experience", Juan Fernando Herrán, Valledupar.

"Contemporary Concepts in Drawing", Cartagena, Colombia.

"A Vision Of Collage", Bank Of The Republic, Cartagena, Colombia.

1994

"Reflexion: From Modern Art To Contemporary Art", Habana, Cuba.

"Watercolours", Tere Perdomo, Valledupar, Colombia.

"Collages", School Of Fine Arts, Valledupar, Colombia.

"Foundry", Anthonelly de la Barrera, Cartagena, Colombia.

"Plastic Arts", Fine Arts Institute, Cartagena, Colombia

GRANTS AND COMMISSIONS

2002    Illustration: Music of a History

2001     Fresco (18 m x 4.5m) at the Popular University.

1995 - 2001

Teacher at the Fine Arts School in Valledupar.

Instructor at the Institute of Culture and Tourism, Valledupar, Colombia.

Director at "The Workshop" Gallery, Valledupar, Colombia.

1993
EcoPetrol Grant (Art and Photography Appreciation)

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Contact:
joner @ artcolombia.com
(Español) Tel: (+57) 312-582-5556
(English) Tel: (+57) 310-239-9866

BIOGRAPHY STUDIES PUBLICATIONS EXHIBITIONS GALLERY EBOOKS

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"Joner Rojano - Studies"

TESTIMONIALS

Blue for rain, green for fluorescence. "Outdoors" desert yellow and the intensity of the summer light.

That is the memory of the atmosphere that surrounded childhood.

It is the past recovered from the perspective of the city, from ostracism. It is the memory that recreates the synopsis of an instant within which fits an epoch, a whole countryside, always repeated, always different.

And the image hurts.

Lines that were strong disappear like those moments that stopped being exact. Images of mountains, lands, nostalgia. The desperation of capturing a moment, of returning to an instant that was intensely lived.

It is the internal fight of the color that wants to hide what is shows, it is the technique allowing the eye to see that which it should not, without stopping it.

It is opening your heart and placing upon it an opaque glass to allow the color to reconstruct the memory, season by season.

HENRY LAGUADO (Art Critic)

International Art Investments

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Revised : 15 Feb 2008

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